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Koster left Germany for France, where he was rehired by Bernhardt (who had left earlier).

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When the film, written by Koster with Felix Joachimson, had its premiere in autumn 1933 their names were deleted and both went into exile.

He became a film director and later moved to Hollywood. Koster was introduced to cinema about 1910 when his uncle opened a very early movie theater in Berlin.

Henry Koster (May 1, 1905 – September 21, 1988) was born Hermann Kosterlitz to Jewish parents in Berlin, Germany.Indeed, Koster and cinematographer Lee Garmes did their jobs so well in creating a solid, substantial Cinema Scope release, that D-Day The Sixth Of June proved impossible to appreciate in the decades of television showings that have followed, its image heavily cropped. The movie has its flaws, to be sure, including the 19 year age difference between Taylor and Wynter and the fact that Taylor, by the time of the D-Day invasion, with three years of soldiering behind his character, looks like the oldest captain in the United States Army.On the plus side, the script does capture the genuine ambivalence of the British to the presence of the Americans as they began arriving in 1942, and has the temerity to mention such unmitigated disasters as the raid on Dieppe (which nearly sank Churchill's government); and it delves into the darker side of the motivations behind some of the Americans serving in England, including the desire for personal aggrandizement and glory-hunting.In 1932, Koster directed his first film in Berlin, the comedy Thea Roland.Koster, who was in the midst of directing his second film Das häßliche Mädchen, had already been the subject of antisemitism, and knew he had to leave.They enlist the help of several colorful characters in achieving their dream ...